I'm continuing my series of posts leading up to the Country for Kids concert supporting the N.C. Children's Hospital on November 18th at Durham Performing Arts Center. In an effort to promote conversation on my blog, I am going to give away a CD to or make a donation in honor of someone who leaves a comment. The CD will be the latest of any of the four artists performing, James Otto, Clay Walker, Jason Michael Carrol, or Rodney Atkins.
I understand that "Parenting" is a recent verb. The other day I noticed that one of my male friends has it listed as an interest on his Facebook profile (and he is a great Dad). I will admit that I am a slacker Mom. I allow my child to watch hours of moderately appropriate TV on weekend mornings, pulled her out of school at lunchtime to go to the Country Throwdown, and rarely make her eat fruit, but I still love a good song about being a parent.
Darius Rucker was opening for Brad Paisley this summer. He played his song "It won't be like this for long". I was drinking my beer, remaining nonchalant, until I turned to my friend and realized that she had tears welling up in her eye as she was singing away. She turned to me and said "This song is so true. It's been so hard. I remember feeling like this." Of course, I teared up as well, as I can't let a girlfriend cry alone. My friend falls into the supermom category of women. She's incredibly organized, with chore lists, TV time tickets and calendars with little illustrations of each child's activity so the child can keep track of their own week. Her children think that hamburger buns are normally whole wheat, and she pays attention and advocates with an energy level I couldn't rustle up if there were front row tickets to a George Strait concert dangling in front of me.
So, in honor of all of my supermom and slacker parent friends alike, I've put together a list of fabulous "parenting songs". Some of these are my favorites. I've added some additional recommendations from friends so it's not all country. If you have one that isn't on the list, please leave a comment!
Bette Midler, Baby Mine, video, purchase song
Brad Paisley, If He's Anything Like Me, video, purchase song
Darius Rucker, It Won't Be Like This for Long, video, purchase song
Martina McBride, In My Daughter's Eyes, video, purchase song
Rodney Atkins, Watching You, video, purchase song
Tori Amos, Ribbons Undone, purchase song
Lonestar, My Front Porch Looking In, video, purchase song
Lee Anne Womack, I Hope You Dance, video, purchase song
Cat Stevens, Father and Son, video, purchase song
Jamey Johnson, The Dollar, video, purchase song
John Sebastian, Younger Generation, video, purchase song
Trace Adkins, You're Gonna Miss This, video, purchase song
Tim McGraw, My Little Girl, video, purchase song
The Cast of Fiddler on the Roof, Sunrise Sunset, video, purchase song
Harry Chapin, Cat's in the Cradle, video, purchase song
Jason Michael Carroll, Hurray Home, video, purchase song
Heartland, I Loved Her First, video, purchase song
I included the "purchase song" link to Amazon just to make your life easier. I'm not making any money from that.
Remember, leave a comment!
11/16 I added some additional songs, two from a commenter's recommendation. Now can anyone tell me why there are so few good songs about being a parent, sung by women, or am I just biased toward male singers?
Kibitz is a Yiddish word. It means to give unwanted advice as a spectator or to chatter. Please participate by leaving a comment. Kibitz away!
Sunday, November 14, 2010
Friday, November 12, 2010
Zahra Baker is Confirmed Dead
Sadly, the police confirmed that they have found enough physical evidence that they can say they have found Zahra Baker, and that she is dead. It's horrifying. There are no words and no songs.
After my last blog post regarding Zahra Baker's abuse, parental anger and corporal punishment, this question of when to intervene still bothered me. I asked the Chabad Rabbi who teaches the Jewish ethics class I take if he thinks I should have said something to the Dad who was spanking his child on the beach. He said that if the father was a stranger, and the boy was not being beaten, just spanked, it probably would not have been a good idea to intervene. As the father was a stranger, it could have escalated the situation in an undesirable way. He did say that if the father had been a person I knew, it would have been appropriate to say something, even if it was just a comment that spanking has been proven to be a poor method of discipline. He was very adamant that spanking was not something parents should be doing.
In addition he added one of the teachings of the Baal Shem Tov, that all of these experiences, where we witness or experience something disturbing and question our reaction, are important. They prepare us to do the right thing the next time we are faced with a similar situation.
After my last blog post regarding Zahra Baker's abuse, parental anger and corporal punishment, this question of when to intervene still bothered me. I asked the Chabad Rabbi who teaches the Jewish ethics class I take if he thinks I should have said something to the Dad who was spanking his child on the beach. He said that if the father was a stranger, and the boy was not being beaten, just spanked, it probably would not have been a good idea to intervene. As the father was a stranger, it could have escalated the situation in an undesirable way. He did say that if the father had been a person I knew, it would have been appropriate to say something, even if it was just a comment that spanking has been proven to be a poor method of discipline. He was very adamant that spanking was not something parents should be doing.
In addition he added one of the teachings of the Baal Shem Tov, that all of these experiences, where we witness or experience something disturbing and question our reaction, are important. They prepare us to do the right thing the next time we are faced with a similar situation.
Monday, November 8, 2010
Alyssa Lies, Zahra Baker, Maimonides, and Self Control
Read to the end. I'm giving away a CD.
I've been listening to quite a bit of Jason Michael Carroll (JMC). He's performing in the Country for Kids concert to support N.C. Children's hospital on November 18th, together with James Otto, Clay Walker, and Rodney Atkins. I've made a nice mix of their best songs to get me in the groove. It's a little pre-concert routine I have.
Lately when JMC's "Alyssa Lies" comes up in the shuffle I can't help but tear up. Assuming he plays this song at the concert, there isn't likely to be a dry eye in the place. Many of us are going to be thinking about the sad search for the Zahra Baker, who has been missing a month from the Hickory, N.C. area. The fact that Zahra Baker has battled cancer, which resulted in her losing her leg and partial hearing, and that the concert supports a childrens hospital, is going to hammer home the sad circumstances of her recent life and assumed death from abuse. There is a certain communal guilt in stories like hers, and one that is expressed in the song. If you want to read an article detailing how Zahra was treated in the public setting of her neighborhood, read this article from the Winston-Salem Journal.
The song isn't new, but if you haven't heard it, Alyssa Lies tell the story of a father who takes a couple days to understand that his daughter has a new friend who comes to school full of bruises. He decides to go to the school the next day to report what he has heard but it is too late. The child has died. This story isn't far fetched. Neighbors and family reported Zahra's abuse to social services but ultimately not enough was done to help her.
It makes me question my response to something I witnessed on the beach this summer. There was a group of adults and their kids sitting nearby, listening to music and playing in the water. Then all of a sudden a father starts yelling at his eight year old son because he dumped sand on his mother's feet and towel, puts him over his knee and proceeded to spank him on his bare tuchas, a handful of smacks. I shook my head and moved my chair away. Others shook their heads and glared at them. My sister-in-law, an attorney, told me that I should have called the authorities, but on what grounds? Spanking is legal in South Carolina. The man wasn't beating his son. He humiliated his son in public and proved to all the world that he's a humorless father with a terrible temper and weak parenting skills, but he didn't damage the boy physically.
Now, looking back, I ask myself, if that father was angry enough to spank his kid in front of everyone on the beach for something so trivial, what does he do when the child truly misbehaves? To this day I'm not sure what I should have done. Should I have spoken up? "Hey there! Take a deep breath and get a grip, Mister."? Perhaps.
I was reminded of this incident further during a Jewish ethics class I take once a week. We were discussing the characteristics of an ethical person. Maimonides, a renowned Jewish philosopher from the Middle Ages, said that anger is one character trait that we should avoid completely, even in situations where anger would be a normal response. "Therefore, [the Sages] instructed us that one should distance himself from anger so much so that one accustoms himself not to feel even things which [would ordinarily] incite one to anger. And this is the ideal path." To apply this to parenting, Maimonides says that if one needs to act angry to get a child's attention, that's OK, but one shouldn't actually be angry. Why? One reason is that when people are very angry, they do irrational things. Their wisdom and good judgement escapes them.
But the culture of using corporal punishment is not based on anger. Anger escalates it and ultimately is what kills children, but if we take the Montgomey Gentry song "You Do Your Thing" that says "I ain't gonna spare the rod, Cuz that ain't what my daddy did, And I sure know the difference between wrong and right" it shows a rationally made parenting decision. One of my graduate school professors tells a story about how she learned basic carpentry. She misbehaved in a way her father found so egregious that he had her go out to his workroom and use his saws, drills and sand paper to make a paddle that he later beat her with. It was obvious from the telling of the story that the memory of her father's cold cruelty was far more significant than any memory she had of the lesson learned. An angry parent who inflicts pain as the standard consequence for misbehavior is not going to be able to make good decision regarding the intensity of such a punishment. A parent who isn't angry, and still uses pain as a method of punishing or training a child, is either a bit of a sadist or sadly misguided by family tradition.
One of my favorite parenting songs is "Watching You" by Rodney Atkins, who is also performing at the Country for Kids concert. His song sweetly states that our children see how we behave and behave accordingly. In the song, the boy uses a swear word and tells the father he learned it from watching him, and when the boy prays, and the father realizes that the boy’s faith comes from watching him as well.
What part of our behavior do we want to see reflected back at us when we visit our children's households? How are we going to prevent sad stories like Zahra's from happening over and over again? I bet that some people don't think that these things are connected, but they are. Our tempers and methods of discipline are on a continuum. It's up to each one of us to decide where we are along that line and if we're really comfortable with how our behavior could ultimately affect our children and our children's children.
To promote discussion, I'm giving away the latest CD of one of the four artists performing at the Country for Kids concert, James Otto, Jason Michael Carroll, Clay Walker, or Rodney Atkins. Leave an interesting comment on this subject. Extra credit goes to the writers who uses a musical reference in their comments. I'll announce the winner on Monday Nov. 15th. The winner chooses which CD they want. If the winner doesn't want a CD I'll make an equivalent donation to N.C. Children's Hospital in thier honor.
I've been listening to quite a bit of Jason Michael Carroll (JMC). He's performing in the Country for Kids concert to support N.C. Children's hospital on November 18th, together with James Otto, Clay Walker, and Rodney Atkins. I've made a nice mix of their best songs to get me in the groove. It's a little pre-concert routine I have.
Lately when JMC's "Alyssa Lies" comes up in the shuffle I can't help but tear up. Assuming he plays this song at the concert, there isn't likely to be a dry eye in the place. Many of us are going to be thinking about the sad search for the Zahra Baker, who has been missing a month from the Hickory, N.C. area. The fact that Zahra Baker has battled cancer, which resulted in her losing her leg and partial hearing, and that the concert supports a childrens hospital, is going to hammer home the sad circumstances of her recent life and assumed death from abuse. There is a certain communal guilt in stories like hers, and one that is expressed in the song. If you want to read an article detailing how Zahra was treated in the public setting of her neighborhood, read this article from the Winston-Salem Journal.
The song isn't new, but if you haven't heard it, Alyssa Lies tell the story of a father who takes a couple days to understand that his daughter has a new friend who comes to school full of bruises. He decides to go to the school the next day to report what he has heard but it is too late. The child has died. This story isn't far fetched. Neighbors and family reported Zahra's abuse to social services but ultimately not enough was done to help her.
It makes me question my response to something I witnessed on the beach this summer. There was a group of adults and their kids sitting nearby, listening to music and playing in the water. Then all of a sudden a father starts yelling at his eight year old son because he dumped sand on his mother's feet and towel, puts him over his knee and proceeded to spank him on his bare tuchas, a handful of smacks. I shook my head and moved my chair away. Others shook their heads and glared at them. My sister-in-law, an attorney, told me that I should have called the authorities, but on what grounds? Spanking is legal in South Carolina. The man wasn't beating his son. He humiliated his son in public and proved to all the world that he's a humorless father with a terrible temper and weak parenting skills, but he didn't damage the boy physically.
Now, looking back, I ask myself, if that father was angry enough to spank his kid in front of everyone on the beach for something so trivial, what does he do when the child truly misbehaves? To this day I'm not sure what I should have done. Should I have spoken up? "Hey there! Take a deep breath and get a grip, Mister."? Perhaps.
I was reminded of this incident further during a Jewish ethics class I take once a week. We were discussing the characteristics of an ethical person. Maimonides, a renowned Jewish philosopher from the Middle Ages, said that anger is one character trait that we should avoid completely, even in situations where anger would be a normal response. "Therefore, [the Sages] instructed us that one should distance himself from anger so much so that one accustoms himself not to feel even things which [would ordinarily] incite one to anger. And this is the ideal path." To apply this to parenting, Maimonides says that if one needs to act angry to get a child's attention, that's OK, but one shouldn't actually be angry. Why? One reason is that when people are very angry, they do irrational things. Their wisdom and good judgement escapes them.
But the culture of using corporal punishment is not based on anger. Anger escalates it and ultimately is what kills children, but if we take the Montgomey Gentry song "You Do Your Thing" that says "I ain't gonna spare the rod, Cuz that ain't what my daddy did, And I sure know the difference between wrong and right" it shows a rationally made parenting decision. One of my graduate school professors tells a story about how she learned basic carpentry. She misbehaved in a way her father found so egregious that he had her go out to his workroom and use his saws, drills and sand paper to make a paddle that he later beat her with. It was obvious from the telling of the story that the memory of her father's cold cruelty was far more significant than any memory she had of the lesson learned. An angry parent who inflicts pain as the standard consequence for misbehavior is not going to be able to make good decision regarding the intensity of such a punishment. A parent who isn't angry, and still uses pain as a method of punishing or training a child, is either a bit of a sadist or sadly misguided by family tradition.
One of my favorite parenting songs is "Watching You" by Rodney Atkins, who is also performing at the Country for Kids concert. His song sweetly states that our children see how we behave and behave accordingly. In the song, the boy uses a swear word and tells the father he learned it from watching him, and when the boy prays, and the father realizes that the boy’s faith comes from watching him as well.
What part of our behavior do we want to see reflected back at us when we visit our children's households? How are we going to prevent sad stories like Zahra's from happening over and over again? I bet that some people don't think that these things are connected, but they are. Our tempers and methods of discipline are on a continuum. It's up to each one of us to decide where we are along that line and if we're really comfortable with how our behavior could ultimately affect our children and our children's children.
To promote discussion, I'm giving away the latest CD of one of the four artists performing at the Country for Kids concert, James Otto, Jason Michael Carroll, Clay Walker, or Rodney Atkins. Leave an interesting comment on this subject. Extra credit goes to the writers who uses a musical reference in their comments. I'll announce the winner on Monday Nov. 15th. The winner chooses which CD they want. If the winner doesn't want a CD I'll make an equivalent donation to N.C. Children's Hospital in thier honor.
Wednesday, November 3, 2010
I'm Off Topic,Y'all, Some Groovy Tunes by MOTs
So I was surfing around, minding my own business, when all of a sudden I came upon Jewish TV Network. I haven't watched every single video in their music video section yet, but 'yet' is the operative word. All I can say is that if you have some time to burn and want to watch some really great videos, by Israelis and Jewish artists in the U.S. and Canada, watch these. It's a good collection of videos, all in one place, with no commercials. I highly recommend So Called: You are Never Alone, both songs by The Idan Raichel Project, Balkan Beat box, the long video about Moshe ben Ari, and Dana Parish. I have to tear my self away and finish watching another day. http://www.jewishtvnetwork.com/
Twitter. Honoring my First Follower.
Twitter is a lonely place for a newbie. I was tickled pink to find one of my closest friends from highschool, but what I'm looking for are people who love music and are interested in reading my blog.
Then, the joy, a follower who didn't know me already, found me! He appeared out of the blue. Of course I followed him in return. I don't know anything about him except that he's a musician named Marcus Harmon who has posted a lovely video of a this sleepy and quietly haunting song. Click here to see his video. I surfed around and found quite a number of videos and interviews. Harmon appears to be a guy who is serious about performing and making music. I'm happy to devote this post to wishing him well in his pursuit of good music and good fortune. I will point out that Marcus Harmon does have quite a following, over 1700. He is obviously doing something right.
Then, the joy, a follower who didn't know me already, found me! He appeared out of the blue. Of course I followed him in return. I don't know anything about him except that he's a musician named Marcus Harmon who has posted a lovely video of a this sleepy and quietly haunting song. Click here to see his video. I surfed around and found quite a number of videos and interviews. Harmon appears to be a guy who is serious about performing and making music. I'm happy to devote this post to wishing him well in his pursuit of good music and good fortune. I will point out that Marcus Harmon does have quite a following, over 1700. He is obviously doing something right.
Tuesday, November 2, 2010
It's Been My Jason Aldean Kinda Day
A nightmare about pulling an enormous tick our of my daughter's hair woke me up at 5 am today. This is what happens when you have a pack of nine deer living in your backyard. So I got an early start on Jason Aldean's new album. I really like him and have been looking forward to this for a while. The title track, My Kinda Party, released a while back, didn't make it to my ipod on its own. I knew that there was going to be better material in the album so I waited, and there definitely is.
I've listened to the album at least five times already today and I'm not sick of it. There's the duet with Kelly Clarkson, which I'm guessing will be a hit, but I don't think there is a really rocking song like Crazytown that is going to get a crowd of 10,000 beating their fists in the air, bang, bang, bang, but My Kinda Party is coming close. It's growing on me. There isn't a shake your tush song like "She's Country" or anything quite as sweet as "Big Green Tractor", but it's a great album
What is there, for the most part, are a number of very poetic and poignant songs about life and love. Aldean doesn't seem to write his songs, but he sings them like he does. There is something so personal and conversational in his voice that it's very easy to believe that he is singing about himself and to make an emotional connection.
I do already have a favorite. I knew that I was going to like "Church Pew or Bar Stool" (written by Josh Thompson) from title alone. Shul pew or bar stool? It's a song about getting out of a suffocating small town, or, if you translate it into my world, suffocating small community. "When you don't seem to run on either side of the fence, people act like you don't make sense." Wow, can I ever relate to that line. "Well it's crystal clear that I, just need to find, a place where there is no lines, and nothing like it is around here." I've wanted to get the heck out of Dodge my entire life. The catch is that "Dodge" follows you wherever you go. The only place with no lines is the place in life where you can finally step to your own beat and not care what others think. I think that place is the age of 40. Maybe Mr. Aldean will find a song that touches on that a few albums from now.
The other song that immediately spoke to me is "Fly Over States". I've always found Aldean's voice to be interesting, rather than beautiful, but it's beautiful in this song. Being one of the majority of Americans that have never driven from coast to coast, the song makes me want to jump into my car and head west. "On the plains of Oklahoma, with a windshield sunset in your eyes, Like a watercolored painted sky, you'll think heavens doors have opened, you'll understand why God made those flyover states."
Then there are the lost love songs. Aldean can make the feeling of longing palpable, like he's crying inside, but is too much of man to let on. He did that in Truth, he does that in "See You When I See You", "If You Can See Me Know" and "Heartache that Don't Stop".
I'd love to hear what my readers think. If you've heard the album or any of the songs. Please comment.
This post was revised extensively on Nov. 3rd because it was too long and I changed my mind about a couple of things.
I've listened to the album at least five times already today and I'm not sick of it. There's the duet with Kelly Clarkson, which I'm guessing will be a hit, but I don't think there is a really rocking song like Crazytown that is going to get a crowd of 10,000 beating their fists in the air, bang, bang, bang, but My Kinda Party is coming close. It's growing on me. There isn't a shake your tush song like "She's Country" or anything quite as sweet as "Big Green Tractor", but it's a great album
What is there, for the most part, are a number of very poetic and poignant songs about life and love. Aldean doesn't seem to write his songs, but he sings them like he does. There is something so personal and conversational in his voice that it's very easy to believe that he is singing about himself and to make an emotional connection.
I do already have a favorite. I knew that I was going to like "Church Pew or Bar Stool" (written by Josh Thompson) from title alone. Shul pew or bar stool? It's a song about getting out of a suffocating small town, or, if you translate it into my world, suffocating small community. "When you don't seem to run on either side of the fence, people act like you don't make sense." Wow, can I ever relate to that line. "Well it's crystal clear that I, just need to find, a place where there is no lines, and nothing like it is around here." I've wanted to get the heck out of Dodge my entire life. The catch is that "Dodge" follows you wherever you go. The only place with no lines is the place in life where you can finally step to your own beat and not care what others think. I think that place is the age of 40. Maybe Mr. Aldean will find a song that touches on that a few albums from now.
The other song that immediately spoke to me is "Fly Over States". I've always found Aldean's voice to be interesting, rather than beautiful, but it's beautiful in this song. Being one of the majority of Americans that have never driven from coast to coast, the song makes me want to jump into my car and head west. "On the plains of Oklahoma, with a windshield sunset in your eyes, Like a watercolored painted sky, you'll think heavens doors have opened, you'll understand why God made those flyover states."
Then there are the lost love songs. Aldean can make the feeling of longing palpable, like he's crying inside, but is too much of man to let on. He did that in Truth, he does that in "See You When I See You", "If You Can See Me Know" and "Heartache that Don't Stop".
I'd love to hear what my readers think. If you've heard the album or any of the songs. Please comment.
This post was revised extensively on Nov. 3rd because it was too long and I changed my mind about a couple of things.
Monday, November 1, 2010
The Year NPR, my Husband and Joe Nichols Came Together to Change my Life
I could explain my recent obsession with country music in two words, midlife crisis, but I'd rather tell a bit of a story.
I have never been a fan of any specific music genre. Fan is the operative word here, originating from the word, fanatic. I've subsisted for years on the drone of NPR and small doses of Israeli music, classic and Southern rock, heavy metal, and country. Occasionally I would dip into the bucket of my teenage angst that is a gruesome brew of folk, new wave, punk, acid rock, and a whole lot of Red Hot Chili Peppers. So what happened?
Three things happened within a few months that turned me from casual music listener to country music fan.
1. My husband bought me an ipod for my birthday, and when I filled it with podcasts of This American Life and my old tired music collection, it became apparent that if I didn't start listening to brand new music, my demise was going to be premature death by boredom.
2. NPR had a fund drive that got on my nerves to such a degree that I tuned into country radio and never looked back. I still have an ear open for good things happening in other genres, and listen to classic rock, but as I've noticed, classic rock just means old popular music, much of which I didn't like when it first came out. Given a choice, I'll almost always choose to listen to a new country song.
3. A review in the News and Observer of Joe Nichols' album Old Things New got my attention, and when I listened to it, I fell head over heals in love, not with him, with the music. I can't imagine a life worth living that does not include an intra-ear drip of similar sounds. Today is, coincidentally, the one year anniversary of that review.
I met Joe Nichols briefly in May. He did a show in a bar in my hometown. I brought the only other Joe Nichols admirer I know, my daughter's 1st grade teacher, along for the almost two hour drive and overnight at my Mom's. After an excellent show we stood in the slow moving meet and greet line to say hello and get an autograph. By the time we got to the front I forgot to tell him what I wanted to say, that I love his voice. It would have been nice to have remembered to say that his album changed my life; that this album was the one that made me realize how much I truly enjoy country music. He comes across as a down to earth guy, so he may have appreciated the compliment.
That's the last meet and greet line I'm ever standing in. Unless I run into him on the street or this blog finds its wings, takes off and scores me a press pass one day, this post will have to suffice as my expression of gratitude to Joe Nichols (and NPR). My husband has been thanked many times for the ipod.
I have never been a fan of any specific music genre. Fan is the operative word here, originating from the word, fanatic. I've subsisted for years on the drone of NPR and small doses of Israeli music, classic and Southern rock, heavy metal, and country. Occasionally I would dip into the bucket of my teenage angst that is a gruesome brew of folk, new wave, punk, acid rock, and a whole lot of Red Hot Chili Peppers. So what happened?
Three things happened within a few months that turned me from casual music listener to country music fan.
1. My husband bought me an ipod for my birthday, and when I filled it with podcasts of This American Life and my old tired music collection, it became apparent that if I didn't start listening to brand new music, my demise was going to be premature death by boredom.
2. NPR had a fund drive that got on my nerves to such a degree that I tuned into country radio and never looked back. I still have an ear open for good things happening in other genres, and listen to classic rock, but as I've noticed, classic rock just means old popular music, much of which I didn't like when it first came out. Given a choice, I'll almost always choose to listen to a new country song.
3. A review in the News and Observer of Joe Nichols' album Old Things New got my attention, and when I listened to it, I fell head over heals in love, not with him, with the music. I can't imagine a life worth living that does not include an intra-ear drip of similar sounds. Today is, coincidentally, the one year anniversary of that review.
I met Joe Nichols briefly in May. He did a show in a bar in my hometown. I brought the only other Joe Nichols admirer I know, my daughter's 1st grade teacher, along for the almost two hour drive and overnight at my Mom's. After an excellent show we stood in the slow moving meet and greet line to say hello and get an autograph. By the time we got to the front I forgot to tell him what I wanted to say, that I love his voice. It would have been nice to have remembered to say that his album changed my life; that this album was the one that made me realize how much I truly enjoy country music. He comes across as a down to earth guy, so he may have appreciated the compliment.
That's the last meet and greet line I'm ever standing in. Unless I run into him on the street or this blog finds its wings, takes off and scores me a press pass one day, this post will have to suffice as my expression of gratitude to Joe Nichols (and NPR). My husband has been thanked many times for the ipod.
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